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The piece, which depicts pine trees in four locations in Rome at different times of the day, is the second of Respighi's trilogy of tone poems based on the city, along with Fountains of Rome (1917) and Roman Festivals (1928). It premiered on 14 December 1924 at the Augusteo Theatre in Rome with Bernardino Molinari conducting the Augusteo Orchestra.</p><p><br></p><p>The <strong>Symphony No. 6 in B minor, Op. 74, Pathétique</strong> is Pyotr Ilyich Tchaikovsky's final completed symphony, written between February and the end of August 1893. The composer entitled the work "The Passionate Symphony", employing a Russian word, Pateticheskaya, meaning "passionate" or "emotional", that was then mistranslated into French as pathétique, "evoking pity", yet the mistranslation survived subsequent productions in every country but Russia. The composer led the first performance in Saint Petersburg on 16/28 October of that year, nine days before his death. The second performance, conducted by Eduard Nápravník, took place 21 days later, at a memorial concert on 6/18 November. It included some minor corrections that Tchaikovsky had made after the premiere, and was thus the first performance of the work in the exact form in which it is known today. The first performance in Moscow was on 4/16 December, conducted by Vasily Safonov. 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The ballet, scored for a thirteen-member chamber orchestra, was created upon commission of choreographer and dancer Martha Graham with funds from the Coolidge Foundation. It premiered on Monday, 30 October 1944 at the Library of Congress in Washington DC, with Martha Graham dancing the lead role. The set was designed by the American sculptor Isamu Noguchi. Copland was awarded the 1945 Pulitzer Prize for Music for his achievement.</p><p><br></p><p>Ludwig van Beethoven's <strong>Symphony No. 1 in C major</strong>, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister &amp; Kühnel of Leipzig. 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It is actually his tenth symphonic work, as Mahler gave no ordinal number to his symphonic song-cycle Das Lied von der Erde. A typical performance takes about 75 to 90 minutes.</p><p>Though the work is often described as being in the key of D major, the tonal scheme of the symphony as a whole is progressive. 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